Introduction of the JSPS Project
Yoko Taniguchi (University of Tsukuba)

Building the Corpus of Buddhist Red Clay-based Sculpture in South Asia during the Shahi Period
Natasha Kimmet (Eskenazi Museum of Art, Indiana University) [online]

Scientific studies on Buddhist “Stucco” statues from Asagi collection
Yoko Taniguchi (University of Tsukuba)

Modelling technologies in Japan and China in 6-8th century
Zhu Ruolin (Tokyo University of the Art)

Colorants Used in the Mural Paintings of Cave 285, Mogao Grottoes
Hiromi Takabayashi (Kyoto City University of Arts)

Stucco Sculptures of Hirayama collections
Yuichi Otsuka/Tatsuhiko Maeda (Hirayama Silkroad Museum)

Analysis of Clay-based Sculptures from Hirayama Silkroad Museum and Musée Guimet
Momoka Yamane (University of Tsukuba)

Molding Methods of Buddhist Clay Sculptures in Kucha and Karashar
Michiyo Mori (Musashino Art University)

Connecting the past and present of the tradition of modelling monumental sacred sculpture in terracruda
Mònica López-Prat (CNR-ISPC) [online]

Discussion
Moderator: Erika Forte

Inner structure of sculptures made of lime plaster in Gandhara
Satoshi Naiki (Aichi Prefectural University)

Contextualizing and comparing technical studies on Buddhist clay-based sculptures from Central Asia
Birgit Schmidt (Freie Universität Berlin / Museum für Asiatische Kunst)

Buddhist clay sculpture: tangible and intangible aspects of the Afghan productions
Giulia Forgione (Università Degli Studi di Napoli “L’Orientale”)

Some thoughts on the different narrative traditions of stone- and clay sculptures
Satomi Hiyama (International College for Postgraduate Buddhist Studies)

The stucco and unbaked clay collection from Afghanistan at the Guimet Museum
Nicolas Engel (Musée Guimet) [presented by Prof. Naiki]

Considering a Typology for Clay-based Sculptures in Afghanistan
Deborah Klimburg-Salter (University of Vienna/Harvard University)

Discussion
Moderators: Erika Forte and Yoko Taniguchi